NEWLYN WORK

When I was taking the workshop in Newlyn (artschool) I wanted to leave the guys to it for 20 minutes or so, so I did some drawing... very quick, picking out colours and details I liked. I showed my boyfriend and he agreed that they looked like a 3 year old had done them, credit indeed! I love kids drawings!

WATERLOG {a journey}

Everytime I exhibit a body of work I create a book to accompany it, so here is the book to accompany the work for Waterlog.

picking 25 up on Friday, ready for sale at the Poly on the 6th Aug.

with excerpts from the Roger Deacin book included

so now a set of three

Also to accompany the work, a description for those interested.

Waterlog {a journey}

The images I create are inspired by the world around me. More than ever I feel finely tuned in to my immediate environment, through the objects that I touch, the structures I live within and the energy of situations and relationships close to me. It all effects me, so my work is where I work out the parts that go deeper than I can understand, where I conclude, let go and find peace and clarity.

I want my work to emanate this sense of calm and resolution, while hopefully offering integrity through its honesty and inquiry. I have realised that although my world can be in complete flux and my mind muddled, my work can settle and calm my mind and body, encouraging alternative emotions to stress, worry and confusion.

My paintbrush is where I think, work things out and come to conclusions by punctuating thoughts and worries with the marks that I make. It is a place where I pass through turbulence, failure and stress, and where I have reached a certain level of application that allows me to unlock my inner thoughts and my unconscious mind, in order to travel through it and out the other side. 

NEWLYN ART SCHOOL, WRITING AND BUYING A HOUSE!

I'm really excited and slightly scared about taking my first workshop 'Mark Making', at Newlyn School of Art on 20th July (10-4pm).  This Saturday! It's a workshop that is aimed at people who may need a change of head space, or a different way of looking and being inspired, and are interested in a more abstract approach to making imagery.

Come along or pass it on, thanks.

Here's the blurb in more depth if you are interested.. if not skip past and look at the next post!

Mark Making

A day course exploring the energy behind the marks you make instinctively. Unlocking the free spirit that is often trapped inside through fear and habit.

This course is an insight into an individual artistic process, and offers a different way of working, while encouraging a fun and playful way of applying paint and using sketchbooks, in order to move your practice forward.

I will start the course with a short presentation about my experience of searching and finding my creative voice after 16 years as a commercial artist. This (along with another short talk in the course) hopefully offers a valuable introduction into how I use and manipulate paint, and how I design and compose my marks onto the page. Therefore putting the course into context while introducing a new way of looking and creating marks.

Using sketchbooks as a starting point, encouraging the hand and mind to loosen, while enabling the you to reassess and understand the marks you make, and the subject matter you choose intuitively. Challenging the fear of the blank page, enabling a less troubled entry into a daily art practice.

Working with multiple pieces of work in order to encourage and maintain the immediacy and energy of the marks, while also working at a slightly faster pace. So this course is for the open minded artist or beginner, who is willing to allow their mind and body to relinquish normal ways of working, in order to experience how they create work on a more intuitive level, therefore creating work that is not only full of life and energy but exudes authenticity.

For me artwork that carries authenticity carries layers. These layers may be invisible as a two-dimensional form, like history, education and experience, but there are also layers of time and activity. So working on a few pieces at one time means you are layering your page with time that is not laboured, but contains its energy and life. So the page not only holds the immediacy of your first marks, it also, in contrast, holds the history of marks made before, and if mindfully executed, each layer still has air to breath, building the bricks to a successful and energetic piece of artwork. This can take an hour or a lifetime to achieve, so approach with an open mind.

So once the workshop is done and dusted and was hopefully a success I can focus again on my own stories. I have created numerous stories and a few characters, the main one being my dog. I am constantly thinking about stories for him and have so many ideas I can't focus on one! I am considering asking for some help, I just have to make sure it's the right time to. 

We are in the middle of buying a house and it's taking a lot of energy, so finding the focus for my own creative work is hard. The deadline of an exhibition is helping me focus on other work, but the one I really want to nail is still in the waiting room. It means so much to me that I feel it is crippling me. I am constantly thinking of ways to make it less important so I can move it forward and go on tour with Bobo, and our new book. Watch this space!...again.

WATERLOG AT THE POLY

I haven't had a chance to bring everything up to date on here, but in the mean time I'm in a show called Waterlog with Rose Forshall and John Kilburn. I met these guys on the MA course at Falmouth and have been in contact ever since. Rose asked John and I if we would come in with her for an exhibition at the Poly, so we did. The results will be available for all to see on the 5th August until the 12th August, with a preview night on August the 6th, all welcome from 7-9pm.
Here's the work in progress and the poster.

Someone could argue that the images I have created are not illustration. I would agree that it is not commercial illustration, as this works within context that serves a purpose, to illustrate a point or a text, or product. These images here don't answer a brief or illustrate any of the above, but illustrate my mind and how I feel about water, and how it effects me emotionally. As an authorial illustrator the boundaries between fine art and illustration are more blurred, and for me they sit side by side. For each body of work I produce for exhibition, I create a catalogue / book. This will be available on the Preview night for sale and therefore offers more towards illustration. The poster works in contrast, in reference to the images I am submitting, but hopefully will attract a lot of people to come and peruse and enjoy at their leisure. My work will be box framed and mounted on board and available to sell, hopefully with a book available too! So watch this space for the framed finished articles and more plugging nearer the date. I'm really excited about seeing what Rose and John have created and I think everyone will be very pleasantly surprised at the range of work on show. 

WATERLOG

Blimey, I haven't been on here in what seems like an eternity, so I will be writing in full, my current escapades and show you some pretty pictures too! For now here's a sneak preview at the work coming on for the show at the Poly in August, called Waterlog. With Rose Forshall and John Kilburn. More to follow for now here;s some pictures! See you on Sunday for more.

This Mortal Coil